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Dating fender bassman

The first Datihg translates to the year and the second to the independent. For instance, the serial numbers for tweed Bandmaster Dating fender bassman run from S to S But we had filled our cart we'd wheel it over to the Chicano news. The 5G12 Concert is the earliest version from very late and early so the dating of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.

Therefore bass,an is a convenient way of refering to an amp of that particular era. This refers to amps produced between Dating fender bassman They are called woodies because of the uncovered bassmn cabinets and matching wood handles. These cabinets came in three finishes: The baffle was covered in either a red, yellow, or Dating fender bassman fabric with three sometimes only two chrome "slats" running from top to bottom. The controls were mounted on a rear facing control panel. At this time Fender only had three models, Princeton, Deluxe, and Professional.

These amps are recognizable by the shape of the speaker baffle cutout. The cutout is rectangular with rounded corners and looks like an old fasioned TV screen. These amps were produced between The cabinets were constructed in a new way with the corners of the box "finger joined" which gave a much larger gluing surface and as a result, more strength. Unfortunately the new joinery isn't very nice to look at so Fender covered the cabinet in a very durable tweed material that was popular for covering foot lockers and suitcases. The early tweed was light colored and had a vertical pattern.

Later this was changed to a diagonal pattern with more contrast between bsasman light and dark fibers. Conrol panels on the TV front amps were located on Datinv top rear, facing up. The baffle of TV Front amps are covered in brown mohair. From Fender used a new style of cabinet which had a rectangluar cutout for the baffle with the corners squared. The chrome, top facing control panel, tweed covering and brown leather handle are the same as the TV front amps, but a dark brown linen material replaced the brown mohair grille. Cosmeically these amps are almost identical to the Wide panel amps, with the exception of the top and bottom front panels.

The Fender Amp Field Guide FAQ

These were narrowed considerably so that the front Dating fender bassman almost completely grille. The narrow panel amps were the last of Fender's tweed amps. Big changes were made with the new decade. The amps produced between were completly redesigned with an angled, Datung facing, brown control panel and round brown knobs. The Dating fender bassman Tolex was Datinng for the smaller fender ams such as the Deluxe, Princeton, and Super while the larger amps had a differnt color scheme. Most of these amps retained the leather handle of the tweed amps. Dating fender bassman brown Tolex fnder had a pinkish hue, while the later amps had a truer brown color.

These amps were produced at the same time Dating fender bassman the fenderr amps, but were covered in a white more like biege Tolex and had round white knobs. This color scheme was fehder for the new "piggyback" amps Showman, Bassman, Tremolux, Bandmaster and the Twin combo. Early Dating fender bassman Tolex had a rough texture while later amps have a smoother surface. Grille cloth varied with early amps having the brown grille cloth of the tweed amps. Later amps had maroon grille cloth, and the last having a wheat or gold sparkle color. Datig instance, he confirmed our assumption that the amp chassis were put into stock after Dating fender bassman stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates.

The boss came around and said what we'd be building. The chassis weren't used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes. I think in the corners of the boxes were older pots remaining from earlier dates I think the better, older hands did 35 a day. Like I said, there were 5 or 6 of us at the benches every day. But it wasn't always 'cool guitar' amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs. I remember two 'suits' from upstairs standing behind me occasionally doing time studies.

They actually held clipboards and stopwatches to measure how long it took for me to attach various parts. Of course I tended to hurry more when they were there, and I would fumble more, too. When we had filled our cart we'd wheel it over to the Chicano chicks. They were something to behold, all chatting away while soldering so quickly, it didn't hardly seem like they were looking at the amps. After that the foreman would add the tubes, turn 'em on and set the bias. One has to wonder where all those factory original export back panels are!

Another interesting tidbit is that a lot of Fenders were imported into Australia in the late s and early s that were stock volt domestic US units. The Australian Fender Distributor then installed V - V stepdown transformers in the bottom of the cabinets. Note the removal of the voltage selector switch and hard-wiring. Also note the vertical black lines on the control panel found on earliest silverface amps and the large ceramic power resistors coming off the power tube sockets which indicates the AB circuit. I just discovered that the silverface Bandmaster speaker cabinet the big, tall one without tilt-back legs is ported see photo.

I thought they were completely sealed units. One thing we know for sure is that production codes can help date an amp to a particular month within a given model run. Greg and I also disagree about determining production from serial numbers. I will present my hypothesis here and let Greg present his side of the story in a future article. Unlike serial numbers used for most Fender guitars and basses, we know that serial number sequences are unique to a particular model or a family of models of amplifiers.